Back to ARCH 7111 Design A

Architecture x Ecology: Unbuild.Design

Professor: Felix Heisel / TA: Leanna Humphrey

As a way to overcome the social, economic, and environmental problems of the current linear economic system, the concept of the circular economy is increasingly gaining attention, defined as one that is “restorative and regenerative by design and aims to keep assets, components, and materials at their highest utility and value at all times.” [1] The consequent closing of production and consumption loops offers not only the possibility to end the loss of valuable finite resources, but also to reduce dependencies on global, volatile resource markets, prevent greenhouse gas emissions, mitigate the effects of the climate crisis, and support new business models and green job opportunities.

The Circular Construction Lab (CCL) in the Department of Architecture at Cornell AAP houses a design research program that advances the paradigm shift from linear material consumption towards a circular economy within an industrialized construction industry. At the intersection of architecture, engineering, material and computer science, as well as economics, the lab investigates new concepts, methods and processes to (1) design and construct buildings as the material depots for future construction, and (2) activate the potential of the built environment as an 'urban mine' for today's construction. In circular construction [2], the most effective strategies engage the smallest cycles. Local reuse not only preserves embodied values (carbon, water, skill, labor) of assets, products or materials within the community, but requires less emissions from transport and includes the potential of cultural and historic preservation into the development of a culture of care.

Unfortunately, to date, reuse in architecture is mostly a trade of “master builders” applied to unique lighthouse projects, and far from the scale of industrialized construction required for meaningful impact on the economy (and ecology). The Unbuild.Design studio asks the question how systemic concepts or methods for the direct reuse of building elements and components at scale can be developed and implemented – utilizing Ithaca, New York as both urban mine and site for its investigation. Beginning with selected building typologies as a material source, students are tasked to design a series of spatial follies that address the global aspiration of the circular economy through the development of both systemic design for disassembly proposals and local resource- specific architectural applications. Through this investigation, the studio aims to promote a new design paradigm that begins from material availability and specificity, and foresees future material and component reuse within industrialized re-construction.

Assignment 1:

The studio begins with a given resource: We will investigate three built structures in Ithaca (all of them marked for demolition within the next half year) as material sources for salvage and reuse. You will be working in groups of 12 to develop detailed qualitative and quantitative documentationof all elements, details, considerations and limitations of the given ‘urban mine’ in order to generate a realistic and specific catalogue of materials for the design process in Assignment 2. Your groups’ conversation and investigation on material qualities, embodied values and deconstruction technics will be supported by tutorials, a specific set of provided (experimental) tools as well as experts from the fields. Please be an active participant in this internal and external conversation.

2_1

Group 1:  302 College Ave, Ithaca, NY (1/2)

Noor Abdulkhaleq

Klytaimnistra Avgetidou

Sijia Chi

Shhrruti Jain

Eric Peters

Phasit Rattanachaisit

Aubrey Sterling

Weijia Sun

Haoyuan Wang

Ziqi Wang

2_2

Group 1:  302 College Ave, Ithaca, NY (2/2)

Noor Abdulkhaleq

Klytaimnistra Avgetidou

Sijia Chi

Shhrruti Jain

Eric Peters

Phasit Rattanachaisit

Aubrey Sterling

Weijia Sun

Haoyuan Wang

Ziqi Wang

3_1

Group 2:  401 E. State Street, Ithaca, NY (1/2)

Chiehsheng Huang

Chuyi Wu

Fanghong Xu

Haotian Ma

Hyun Jun Cho

Minfeng Jiang

Minjae Koo

Ohjin Jo

Thakan Navapakpilai

Yang Du

Yunqin Wang

3_2

Group 2:  401 E. State Street, Ithaca, NY (2/2)

Chiehsheng Huang

Chuyi Wu

Fanghong Xu

Haotian Ma

Hyun Jun Cho

Minfeng Jiang

Minjae Koo

Ohjin Jo

Thakan Navapakpilai

Yang Du

Yunqin Wang

1_1

Group 3:  206 College Ave, Ithaca, NY (1/2)

Jin Kyung Cho

Xinyue Geng

Lulin He

Valentina Haro

So Min Lee

Tongbi Li

Sampriti Sheth

Eduardo Cilleruelo

Connor Yocum

Yao Wing

Xiaobai Zhao

1_2

Group 3:  206 College Ave, Ithaca, NY (2/2)

Jin Kyung Cho

Xinyue Geng

Lulin He

Valentina Haro

So Min Lee

Tongbi Li

Sampriti Sheth

Eduardo Cilleruelo

Connor Yocum

Yao Wing

Xiaobai Zhao

Assignment 2:

For the Cornell Arts Quad, we will design a series of spatial follies(one per group), each addressing a specific, reversible construction detail made from reused materials. They stay within the volume of roughly a 20m3cube. The goal of these proposed installations is to move the discussion from unique design proposals to systemic reuse strategies –while promoting the feasibility, circularity, flexibility, aesthetics and spatial qualities of such proposals. The final design documentation will address the range of scales from the construction detail to the construction system. The Oxford Dictionary defines the term ‘folly’ as “a building constructed primarily for decoration, but suggesting through its appearance some other purpose, or of such extravagant appearance that it transcends the range of usual garden buildings.”[3]The brief of the studio refers to several aspects of this definition: Please design a structure of ‘extravagant appearance’ that ‘transcends the range of the usual ’architectural pavilion. The structure’s ‘other purpose’ is to validate and reference the systemic scale through its exemplary material use and assembly. Each folly will address a specific theme –a typology of a common construction detail –in several different techniques and material combinations. Following the logic of the folly, these details have to be specific and realistic, however will not be functional and –isolated from their usual context –should be understood, design and constructed as much for their spatial qualities (especially in combination with other isolated details) as for their systemic and transcendent message. 

All follies should be constructed using the developed material catalogue of Assignment 1 (across all 3 groups) and need to follow the principle of Design for Disassembly. As such, all structures need to be designed with accessible and reversible connection details that allow for the reuse and/ or recycling of all materials at the higher utility and value, separating the biological and technical metabolism. A certain level of realism on material specification and availability is expected while architectural concept and the vision of a paradigm shift may be equally important in the design development.

group01_1

Group 1: Roof Ridge to Facade (1/2)

Xinyue Geng

Phasit Rattanachaisit

Aubrey Sterling

Ziqi Wang

group01_2

Group 1: Roof Ridge to Facade (2/2)

Xinyue Geng

Phasit Rattanachaisit

Aubrey Sterling

Ziqi Wang

GROUP 2_1

Group 2: Exterior Wall to Roof Eave (1/2)

Thakan Navapakpilai

Weijia Sun

Haotian Ma

Fanghong Xu

GROUP02_2

Group 2: Exterior Wall to Roof Eave (2/2)

Thakan Navapakpilai

Weijia Sun

Haotian Ma

Fanghong Xu

GROUP03_01

Group 3: Exterior Wall to Threshold (1/2)

Minjae Koo

Jin Kyung Cho

Klytaimnistra Avgetidou

Eric Peters

GROUP03_02

Group 3: Exterior Wall to Threshold (2/2)

Minjae Koo

Jin Kyung Cho

Klytaimnistra Avgetidou

Eric Peters

GROUP4_01

Group 4: Exterior Wall to Floor (1/2)

Shhrruti Jain

Valentina Haro

Chuyi Wu

Xiaobai Zhao

GROUP4_02

Group 4: Exterior Wall to Floor (2/2)

Shhrruti Jain

Valentina Haro

Chuyi Wu

Xiaobai Zhao

GROUP05_1

Group 5: Exterior Wall to Foundation (1/2)

Chiehshaneng Huang

Yang Du

Mingfeng Yang

Sampri Sheth

GROUP05_2

Group 5: Exterior Wall to Foundation (2/2)

Chiehshaneng Huang

Yang Du

Mingfeng Yang

Sampri Sheth

GROUP06_1

Group 6: Interior Wall to Floor (1/2)

Hyun Jun Cho

Sijia Chi

Noor Mohammed Abdulkhaleq

Yunqin Wang

GROUP06_2

Group 6: Interior Wall to Floor (2/2)

Hyun Jun Cho

Sijia Chi

Noor Mohammed Abdulkhaleq

Yunqin Wang

Group 07_01

Group 7: Vertical Circulation (1/2)

Lulin He

Connor Yocum

Eduardo Cilleruelo

Yao Wang

Group 07_02

Group 7: Vertical Circulation (2/2)

Lulin He

Connor Yocum

Eduardo Cilleruelo

Yao Wang

GROUP08_1

Group 8: Exterior Wall to Balcony (1/2)

Ohjin Jo

Haoyuan Wang

Somin Lee

Tongbi Li

GROUP08_2

Group 8: Exterior Wall to Balcony (2/2)

Ohjin Jo

Haoyuan Wang

Somin Lee

Tongbi Li

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